Hsiung Ping-Ming was a sculptor, calligrapher, and art critic, who was born in China and lived and worked in Paris for most of his professional life.
熊秉明
HSIUNG Ping-MingTommy CHEN shapes microscopic worlds through the piling of paints; the concrete matters and abstract momentum come to clash on the canvas, generating many atlas-like tableaus vibrating.
陳道明
Tommy CHENSzumin KUO invites the audience to explore the ever-changing, illusory space carved out by light and shadows within the created object and to experience the multifacetedness of her work.
郭思敏
Szumin KUOLIN Yen Wei uses digital cameras to capture close-ups of animal heads and busts. Using depth of field, he deploys a painting style similar to that of photo-realism in the late 1960s.
林彥瑋
LIN Yen WeiYUAN Jai's works are also often a mixture of new and old, East and West, presenting a multitude of possibilities that a contemporary Chinese painting could offer.
袁旃
YUAN JaiZHAN Wang has minted a new visual language that mythologizes China’s 21st-century metamorphosis into a modern, gleaming stainless-steel society while holding on to its traditions.
展望
ZHAN WangFrom traditional Chinese woodcuts, square Chinese characters invented by XU Bing, to the organism medium, he combines various forms of art to convey his philosophical and artist thoughts.
徐冰
XU BingThe reoccurring theme in KUO Chwen's work is the solitude of life, the purposeless of existence, and the blindness of love.