Tommy CHEN 陳道明

Tommy CHEN shapes microscopic worlds through the piling of paints; the concrete matters and abstract momentum come to clash on the canvas, generating many atlas-like tableaus vibrating.


Tommy CHEN
Szumin KUO 郭思敏

Szumin KUO invites the audience to explore the ever-changing, illusory space carved out by light and shadows within the created object and to experience the multifacetedness of her work.


Szumin KUO
LIN Yen Wei 林彥瑋

LIN Yen Wei uses digital cameras to capture close-ups of animal heads and busts. Using depth of field, he deploys a painting style similar to that of photo-realism in the late 1960s.


LIN Yen Wei
YUAN Jai 袁旃

YUAN Jai's works are also often a mixture of new and old, East and West, presenting a multitude of possibilities that a contemporary Chinese painting could offer.


ZHAN Wang 展望

ZHAN Wang has minted a new visual language that mythologizes China’s 21st-century metamorphosis into a modern, gleaming stainless-steel society while holding on to its traditions.


XU Bing 徐冰 

From traditional Chinese woodcuts, square Chinese characters invented by XU Bing, to the organism medium, he combines various forms of art to convey his philosophical and artist thoughts.


XU Bing
KUO Chwen 郭淳

The reoccurring theme in KUO Chwen's work is the solitude of life, the purposeless of existence, and the blindness of love.


KUO Chwen
Yi-Chen HUNG 洪藝真

Yi-Chen HUNG reconstructed the relationship between the canvas, paint and frame, rearranging the different elements by both deconstructing a painting in terms of its physical framework as well as extending the conceptual spatial structure.


Yi-Chen HUNG
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