LIU Xiaodong: Dajia Matsu Pilgrimage
ESLITE GALLERY proudly presents LIU Xiaodong: Dajia Matsu Pilgrimage, a solo exhibition opening on March 29, 2025. The exhibition features LIU's large-scale paintings created during his immersive experience in the 2024 Dajia Matsu Pilgrimage in Taiwan. This marks his first exhibition of this significant series in Taiwan, complemented by manuscripts, diaries, and documentary footage capturing his creative journey. Together, these works offer a profound insight into the artistic inspiration and emotional resonance that this religious celebration evoked in him.
- Exhibition Period:29 March - 24 May 2025
- Address:ESLITE GALLERY ∣ B1, No. 88, Yanchang Rd., Xinyi Dist., Taipei City 110055, Taiwan
Mad for Matsu: A Faith-Fueled Walk Across Hundreds of Miles
The Dajia Matsu Pilgrimage is one of Taiwan’s most iconic religious events, touted by the Discovery Channel as one of the world’s three major religious celebrations, alongside the Vatican’s Christmas Mass and Hajj, the Islamic pilgrimage to Mecca. The nine-day, eight-night Dajia Matsu Pilgrimage spans 340 kilometers and draws countless devotees and pilgrims each year, creating a breathtaking spectacle of faith and devotion.
LIU Xiaodong journeyed with the Matsu procession for four days and four nights, fully immersing himself in the intensity of this grand religious event, where the crowds were so dense that he “couldn’t even see his own feet.” At Lunzi Bridge, on the border of Yunlin and Chiayi, he personally experienced the immense weight of carrying the sacred palanquin. He described: "The palanquin is incredibly heavy. It was only after setting it down that I truly understood why the carriers all have such thick, calloused shoulders. The heavy burden is borne as a prayer for blessings upon all." Through photography, sketches, watercolors, and diary entries, he documented the vibrant scenes along the pilgrimage route—capturing the devout expressions of believers, the dynamic drum and gong troupes, and the bustling atmosphere thick with smoke and sound. These experiences ultimately culminated in his large-scale oil paintings, Bridge Crossing and Daytime Patrol.
Matsu Pilgrimage on Canvas: Bridge Crossing and Daytime Patrol
Both Bridge Crossing and Day Patrol center on the silhouettes of devoted believers within the pilgrimage procession. In the paintings, young men bearing the divine bamboo palanquin on their shoulders move in sync with the procession, embodying the profound connection between human devotion and sacred faith. Moreover, LIU places young parents walking with their children dressed in urban attire at the center of the composition, as an emphasis that the Matsu pilgrimage transcends the divide between urban and rural communities. Behind them, crowds gather around Matsu’s palanquin, while the winding procession stretches through a landscape of lush farmlands, irrigation canals, high-voltage transmission towers, and tin-roofed houses—scenery emblematic of rural Taiwan. By weaving these details into a cohesive visual narrative, LIU puts together a vivid portrayal of the Matsu Pilgrimage.
In Matsu Pilgrimage, LIU seeks to convey an atmosphere of “kindness," a sentiment that also reflects his artistic philosophy. "The worries and trivialities of life, the unpredictability and frustrations of daily existence—I express them through meticulous brushstrokes, like a knife, carving away these burdens. Through painting, I dissolve these troubles, striving not to depict life’s hardships directly, but to achieve the most perfect harmony with it," he explained. LIU's paintings serve as visual diaries capturing Taiwan’s religious culture through his brush. He transforms sacred experiences into deeply expressive works of art, rich with emotion and meaning.
A Realist’s Perspective: Sketching the World from Life
As one of the most prominent contemporary realist painters, LIU Xiaodong, born in 1963, Liaoning, has long embraced sketching from life as the foundation of his artistic practice. By immersing himself in diverse regions, he captures ordinary people and everyday moments and then infuses his canvases with firsthand observations and deep emotional resonance drawn from the real world. This exhibition not only showcases LIU's profound experience with Taiwan’s Matsu faith but also echoes his ongoing exploration of social culture and the human landscape. ESLITE GALLERY cordially invites you to step into LIU Xiaodong: Dajia Matsu Pilgrimage and experience this extraordinary journey where faith, art, and life intersect.
LIU Xiaodong was born in 1963 in Jincheng, a town in the Liaoning Province in China. He moved in 1978 to Beijing and later graduated from the Central Academy of Fine Arts.
As other artists of his generation turn away from more traditional forms of painting, LIU continues to capture the realism of life and his technique has matured into "slack expressionism" where a sense of immediacy and familiarity permeates throughout his paintings, further accentuated by his disinterested interpretation of the subject matter; this familiarity becomes the basis of a dialogue between artist and viewer.
The affection he has for people is the starting point of his work, which gradually spreads into the field of social implication. The life of man and their body, the texture of air and objects are the few vital points of LIU's work.
He is on the constant search of the subtle gap that separates painting and other artistic forms, and he has found his answer in the sentimental demand of painting as a craftsmanship. LIU values painting as a movement. He says "the process of painting brings surely a body language, and this is what makes painting irreplaceable. It is coagulation rather than instantaneity that is at the core of painting."
Rather than some specific brush technique, it is the social environment and situations that make up the "Realistic" core of Liu's works. This realism is moving away from the social realism of the past- a movement that despite its name relied on an artificial setting of themes. LIU refrains from placing his models within his own subjective nostalgia; instead he locates them firmly in the breathless and ever-changing transformation of Chinese society.